Free shipping on US orders over $150 Hand-stitched to order in Portland, Oregon
Tanner & Awl

Leather Care

Leather Care

Vegetable-tanned leather needs less attention than almost anyone selling leather care products would like you to believe. Here is honestly all of it.

The first month: do nothing

New veg-tan is pale, dry to the touch and slightly stiff. That is correct. Handling it, carrying it and letting daylight fall on it is what sets the base tone. Balm applied in the first few weeks soaks in unevenly and leaves blotches that take a year to level out.

Cleaning

A dry cloth handles almost everything. For a stubborn mark, use a barely damp cloth — wrung out until it feels almost dry — and wipe with the grain, then let it dry naturally at room temperature.

Never use saddle soap on undyed veg-tan, and never use anything containing a solvent, alcohol, or a detergent. They strip the tanning liquors out of the fibre and the leather goes grey and papery.

Conditioning

Twice a year is plenty. More than that and the leather goes soft and loses its structure.

  1. Warm a fingertip of neutral balm between your palms.
  2. Work it in with your hands, not a cloth — body heat helps it penetrate.
  3. Leave it overnight somewhere cool.
  4. Buff with a dry cloth in the morning.

Use a colourless balm. Anything pigmented sits on the surface and will eventually flake at the folds.

Getting wet

Rain will not ruin it, but heat will. If a bag gets soaked, stuff it with plain paper to hold the shape and leave it somewhere with moving air and no direct heat. A radiator or a hairdryer cooks the collagen and the leather will crack permanently — this is the single most common way a good bag dies.

Water spots that appear while drying will usually blend into the patina within a few weeks.

Storage

Loosely stuffed, on a shelf, out of direct sun. Not in a plastic bag: leather needs to breathe, and sealed plastic grows mould on it in a warm month.

What patina actually is

Oxidation plus oil plus light. Undyed veg-tan starts around the colour of pale straw and moves through amber to a deep honey and eventually a dark chestnut. The parts you touch most darken first, which is why a wallet develops a fingerprint of its owner along the edges where it is picked up.

Nothing you do will stop it. Sunlight accelerates it evenly; hands accelerate it locally. Some owners leave a new piece on a windowsill for a week to even out the starting tone before carrying it.

When to send it back

Slack stitching, a torn strap keeper, a buckle that has worn a tongue hole oval, an edge that has gone furry. All of it is fixable at the bench for the cost of materials. Email a photograph and we will tell you honestly whether it is worth posting.